The video I chose:
Words words words (Michaela Pavlatova, 1991)
Key words: Line；Space; Visualization; Relationship
An up and down relationship
main story
1 2 3 4 5 6 7 8
Arrange Contrasts
beginning end sad man and a man tried to make he happy get happy by seeing his upset
Art Style: create a syntax
“Strange” perspective and body shape
Reference
Animation can visually represent endless possible worlds, each of them often unique and often with little or no relation to the phenomenal world that surrounds us. I found a way to understand these worlds, and a method to describe them, through Deleuze: “A work of art always entails the creation of new spaces and times (it’s not a question of recounting a story in a well-determined space and time; rather, it is the rhythms, the lighting, and the space-times themselves that must become the true characters). . . . A work of art is a new syntax, one that is much more important than vocabulary and that excavates a foreign language in language.
p118, Animation in Theory by Suzanne Buchan
……She then turns to the line, one of the most central elements of any drawn animated film. As Vivian Sobchack writes, “the single line … foregrounds animation’s own internal metaphysics and paradoxes, its own ontology (however qualified in terms of cinema), its own sufficient conditions for being the ‘what’ that it is.
p12, Introduction to Pervasive Animation by Suzanne Buchan